|Complete the TRAINING CHECKLIST.|
Complete the TRAINING CHECKLIST.
• For all moves relating to reversals (punches, kicks, dives, etc), you can plug in a second controller and switch the AI to 'None' in the settings menu to take control of the other character. Saves having to wait for the AI to do a dive attack...
• For ALL items on the training checklist, you have to wait until it prompts you to do it before you attempt something; if you just do stuff, it won't count towards the checklist. Essentially then, the aim is to set things up and then wait until the game say to do it before you do... annoying, but there you go.
• For signature and finisher moves, things get rather frustrating. You can see which finishers people have from the character select screen, but NOT which signatures they have - as such, there's a lot of messing around trying to find the right combinations of characters. I made a list of who has what... sorry it's a bit scrappy. There's probably a more economical combination of wrestlers that has you not switching out so much (and no doubt someone will take great pleasure in showing me so...) but here's what I came up with that reuses the same people for several entries. And if you don't know, Supine means 'lying on their back', Prone means 'lying on their front':
As you can see, there are several slots marked SEE BELOW - that's because there are NO wrestlers with moves that fit these categories. What you need to do is go into Create A Moveset, choose Superstar and then pick someone you never use (don't worry... you can always choose Reset Defaults to put them back the way they were). Then, change their Signature and Finisher moves to match the missing categories (you'll need to do it more than once for the signatures) before hitting Accept Changes. Now go back to the Training Facility, pick that person and use them to do the moves you changed... simple.
Oh, and don't forget to change the momentum settings to either Signature or Finisher in the menu - you can't do Signature moves on the Finisher setting and vice versa.
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